THE ROMANCE OF THRIFT, By GK Chesterton
The larger part of womankind, however, have had to fight for things slightly more intoxicating to the eye than the desk or the typewriter; and it cannot be denied that in defending these, women have developed the quality called prejudice to a powerful and even menacing degree. But these prejudices will always be found to fortify the main position of the woman, that she is to remain a general overseer, an autocrat within small compass but on all sides. On the one or two points on which she really misunderstands the man’s position, it is almost entirely in order to preserve her own. The two points on which woman, actually and of herself, is most tenacious may be roughly summarized as the ideal of thrift and the ideal of dignity.
Unfortunately for this book it is written by a male, and these two qualities, if not hateful to a man, are at least hateful in a man. But if we are to settle the sex question at all fairly, all males must make an imaginative attempt to enter into the attitude of all good women toward these two things. The difficulty exists especially, perhaps, in the thing called thrift; we men have so much encouraged each other in throwing money right and left, that there has come at last to be a sort of chivalrous and poetical air about losing sixpence. But on a broader and more candid consideration the case scarcely stands so.
Thrift is the really romantic thing; economy is more romantic than extravagance. Heaven knows I for one speak disinterestedly in the matter; for I cannot clearly remember saving a half-penny ever since I was born. But the thing is true; economy, properly understood, is the more poetic. Thrift is poetic because it is creative; waste is unpoetic because it is waste. It is prosaic to throw money away, because it is prosaic to throw anything away; it is negative; it is a confession of indifference, that is, it is a confession of failure. The most prosaic thing about the house is the dustbin, and the one great objection to the new fastidious and aesthetic homestead is simply that in such a moral menage the dustbin must be bigger than the house. If a man could undertake to make use of all things in his dustbin he would be a broader genius than Shakespeare. When science began to use by-products; when science found that colors could be made out of coaltar, she made her greatest and perhaps her only claim on the real respect of the human soul. Now the aim of the good woman is to use the by-products, or, in other words, to rummage in the dustbin.
A man can only fully comprehend it if he thinks of some sudden joke or expedient got up with such materials as may be found in a private house on a rainy day. A man’s definite daily work is generally run with such rigid convenience of modern science that thrift, the picking up of potential helps here and there, has almost become unmeaning to him. He comes across it most (as I say) when he is playing some game within four walls; when in charades, a hearthrug will just do for a fur coat, or a tea-cozy just do for a cocked hat; when a toy theater needs timber and cardboard, and the house has just enough firewood and just enough bandboxes. This is the man’s occasional glimpse and pleasing parody of thrift. But many a good housekeeper plays the same game every day with ends of cheese and scraps of silk, not because she is mean, but on the contrary, because she is magnanimous; because she wishes her creative mercy to be over all her works, that not one sardine should be destroyed, or cast as rubbish to the void, when she has made the pile complete.
The modern world must somehow be made to understand (in theology and other things) that a view may be vast, broad, universal, liberal and yet come into conflict with another view that is vast, broad, universal and liberal also. There is never a war between two sects, but only between two universal Catholic Churches. The only possible collision is the collision of one cosmos with another. So in a smaller way it must be first made clear that this female economic ideal is a part of that female variety of outlook and all-round art of life which we have already attributed to the sex: thrift is not a small or timid or provincial thing; it is part of that great idea of the woman watching on all sides out of all the windows of the soul and being answerable for everything. For in the average human house there is one hole by which money comes in and a hundred by which it goes out; man has to do with the one hole, woman with the hundred. But though the very stinginess of a woman is a part of her spiritual breadth, it is none the less true that it brings her into conflict with the special kind of spiritual breadth that belongs to the males of the tribe. It brings her into conflict with that shapeless cataract of Comradeship, of chaotic feasting and deafening debate, which we noted in the last section. The very touch of the eternal in the two sexual tastes brings them the more into antagonism; for one stands for a universal vigilance and the other for an almost infinite output. Partly through the nature of his moral weakness, and partly through the nature of his physical strength, the male is normally prone to expand things into a sort of eternity; he always thinks of a dinner party as lasting all night; and he always thinks of a night as lasting forever. When the working women in the poor districts come to the doors of the public houses and try to get their husbands home, simple minded “social workers” always imagine that every husband is a tragic drunkard and every wife a broken-hearted saint. It never occurs to them that the poor woman is only doing under coarser conventions exactly what every fashionable hostess does when she tries to get the men from arguing over the cigars to come and gossip over the teacups. These women are not exasperated merely at the amount of money that is wasted in beer; they are exasperated also at the amount of time that is wasted in talk. It is not merely what goeth into the mouth but what cometh out the mouth that, in their opinion, defileth a man. They will raise against an argument (like their sisters of all ranks) the ridiculous objection that nobody is convinced by it; as if a man wanted to make a body-slave of anybody with whom he had played single-stick. But the real female prejudice on this point is not without a basis; the real feeling is this, that the most masculine pleasures have a quality of the ephemeral. A duchess may ruin a duke for a diamond necklace; but there is the necklace. A coster may ruin his wife for a pot of beer; and where is the beer? The duchess quarrels with another duchess in order to crush her, to produce a result; the coster does not argue with another coster in order to convince him, but in order to enjoy at once the sound of his own voice, the clearness of his own opinions and the sense of masculine society. There is this element of a fine fruitlessness about the male enjoyments; wine is poured into a bottomless bucket; thought plunges into a bottomless abyss. All this has set woman against the Public House—that is, against the Parliament House. She is there to prevent waste; and the “pub” and the parliament are the very palaces of waste. In the upper classes the “pub” is called the club, but that makes no more difference to the reason than it does to the rhyme. High and low, the woman’s objection to the Public House is perfectly definite and rational, it is that the Public House wastes the energies that could be used on the private house.
As it is about feminine thrift against masculine waste, so it is about feminine dignity against masculine rowdiness. The woman has a fixed and very well-founded idea that if she does not insist on good manners nobody else will. Babies are not always strong on the point of dignity, and grown-up men are quite unpresentable. It is true that there are many very polite men, but none that I ever heard of who were not either fascinating women or obeying them. But indeed the female ideal of dignity, like the female ideal of thrift, lies deeper and may easily be misunderstood. It rests ultimately on a strong idea of spiritual isolation; the same that makes women religious. They do not like being melted down; they dislike and avoid the mob. That anonymous quality we have remarked in the club conversation would be common impertinence in a case of ladies. I remember an artistic and eager lady asking me in her grand green drawing-room whether I believed in comradeship between the sexes, and why not. I was driven back on offering the obvious and sincere answer “Because if I were to treat you for two minutes like a comrade you would turn me out of the house.” The only certain rule on this subject is always to deal with woman and never with women. “Women” is a profligate word; I have used it repeatedly in this chapter; but it always has a blackguard sound. It smells of oriental cynicism and hedonism. Every woman is a captive queen. But every crowd of women is only a harem broken loose.
I am not expressing my own views here, but those of nearly all the women I have known. It is quite unfair to say that a woman hates other women individually; but I think it would be quite true to say that she detests them in a confused heap. And this is not because she despises her own sex, but because she respects it; and respects especially that sanctity and separation of each item which is represented in manners by the idea of dignity and in morals by the idea of chastity.
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Links
Quotes
A bunch of fun and significant quotes:
John Taylor Gatto #1
John Taylor Gatto #2
John Taylor Gatto #3
Education Quotes #2
Education Quotes #1
Chesterton
A Folly of Socialism
The Fire and the Wife
Ignorance Covered with Impudence
Is there only One Party?
The Feminine Ideal
The Long Word // Podcast Version
Poems
Posting and analysing some important poems.
Interesting take. I never really thought of "Thrift" being romantic. I've been working an article on Thrift that I thought would be ready for today, but it looks like it will be ready for next week.